WHY THE SHIFT?
The long, layered, heavy garments worn by women depicted in the paintings of the Renaissance appear impractical and restrictive - both physically and psychologically and although the garments are 'of their time' the 1960's 'Shift' dress is the antithesis of this. It is not only classic and simple but also flattering and easy to move in. Therefore, with this idea of freedom in mind, I wanted to re-create a non restrictive, freeform shape which mirrors the skin we live in. (See Mary Quant, Pierre Cardin, Biba, Givenchy, Lilly Pulitzer). I have chosen to construct a series of comfortable 'Shift' dresses in conjunction with the Fashion Designer Lisa Bailey for my MA degree show.Lisa Bailey |
With her help I am producing garments as another way to interpret my Renaissance prints; using digitally printed fabric over silkscreen fabric printing allowing me to produce more complex printed designs, no limit in scale, huge variation in colour blends and ease of mass production.
Paper pattern for Toile |
Shift Pattern |
V & A Mary Quant Shift Dress designs |
The initial simple 'A line' sleeveless garment has the potential to hang better and most importantly not impact on the Renaissance designs I've chosen to print and I am hopeful that my final trio of simple shift dresses constructed from Juniper Linen, will appear as an uninterrupted blank canvas when worn - without the addition of darts, zips or buttons to spoil the line of the garment.
Cotton Linen Toile with Da Vinci inspired Madonna of the Yarnwinder design |
Cotton Linen Toile with Da Vinci inspired Madonna of the Rocks design |
Cotton Linen Toile - with Baldovinetti inspired 'Lady in Yellow; design |
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